This three-month Teaching Artist Residency with composition students at Amherst College spotlights collaboration between performers and composers and centers composition of scenes and duos for two voices. Residency culminates in a recital featuring soprano Ann Moss, baritone Liam Shannon and pianist Yu-Mei Wei.
Ann Moss, soprano
Hillary Nordwell, piano
Experience love and longing through two of the great German song cycles, Robert Schumann's Liederkreis Op. 39 and Beethoven's An die Ferne Geliebte
PROGRAM
Beethoven: An die ferne Geliebte (Jeitteles)
R. Schumann: Fantasy, Op. 17, Mvt. 1
R. Schumann: Liederkreis Op. 39 (Eichendorff)
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. While the genre came into its own in 19th century Europe, it has flourished in the United States during the 20th and 21st centuries, with many fine examples from famous and lesser-known American composers. This guided listening workshop briefly familiarizes participants with the Art Song genre before delving into the poetry of three American women – Emily Dickinson, Edna St. Vincent Millay and Lisa DeSiro – whose imagery and insights have inspired composers past and present to set their words to music.
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This series of interactive seminars is designed to familiarize participants with the genre of Art Song by highlighting beloved poets such as Blake, Hughes, Verlaine, Dickinson, Goethe, Millay and more – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss leads participants on a listening journey that explores the beautiful marriage of language and melody.
Each meeting features roughly thirty minutes of guided listening, framed by contextual background on the composers, poets and musical material, with opportunities for questions and group discussion. Participants are welcome to drop in to individual sessions as desired, or join for the full series.
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This series of interactive seminars is designed to familiarize participants with the genre of Art Song by highlighting beloved poets such as Blake, Hughes, Verlaine, Dickinson, Goethe, Millay and more – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss leads participants on a listening journey that explores the beautiful marriage of language and melody.
Each meeting features roughly thirty minutes of guided listening, framed by contextual background on the composers, poets and musical material, with opportunities for questions and group discussion. Participants are welcome to drop in to individual sessions as desired, or join for the full series.
Zeke Fetrow, Conductor
Pre-concert conductor talk - 7:15PM
PROGRAM
Gustav Mahler — Symphony No. 4
Zeke Fetrow, Conductor
PROGRAM
Gustav Mahler — Symphony No. 4
Ann Moss — vocals
Justin Ouellet — violin, viola, guitar
Mystics and Visionaries brings together works by composers and songwriters spanning ten centuries — artists who used the medium of music to broadcast bold new ideas into the world that inspired them, and in doing so, transmuted the very medium in which they worked. Husband-wife team Ann Moss and Justin Ouellet create living, breathing arrangements that offer a modern perspective on sounds and stories from our collective past. Mystics and Visionaries celebrates artists across the ages who inspire us to examine in new ways the enduring elements of our ancient world.
This program was originally designed for the Farnsworth Museum’s 2024 Momentum exhibition series and was crafted in response to paintings by Maine-based artist Emilie Stark-Menneg.
RESERVATIONS ARE REQUIRED
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This series of interactive seminars is designed to familiarize participants with the genre of Art Song by highlighting beloved poets such as Blake, Hughes, Verlaine, Dickinson, Goethe, Millay and more – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss leads participants on a listening journey that explores the beautiful marriage of language and melody.
Each meeting features roughly thirty minutes of guided listening, framed by contextual background on the composers, poets and musical material, with opportunities for questions and group discussion. Participants are welcome to drop in to individual sessions as desired, or join for the full series.
David Feltner, Conductor
PROGRAM
Felix Mendelssohn — Son and Stranger Overture
Steve Heitzeg — Flower of the Earth (Homage to Georgia O’Keeffe) | Rick Bolling - trumpet
Brahms — A German Requiem, Part 2 | Ann Moss - soprano
with special guests
The Nashua Choral Society
Brian Dukeshier, Music Director
David Feltner, Conductor
PROGRAM
Felix Mendelssohn — Son and Stranger Overture
Steve Heitzeg — Flower of the Earth (Homage to Georgia O’Keeffe) | Rick Bolling - trumpet
Brahms — A German Requiem, Part 2 | Ann Moss - soprano
with special guests
The Nashua Choral Society
Brian Dukeshier, Music Director
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This series of interactive seminars is designed to familiarize participants with the genre of Art Song by highlighting beloved poets such as Blake, Hughes, Verlaine, Dickinson, Goethe, Millay and more – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss leads participants on a listening journey that explores the beautiful marriage of language and melody.
Each meeting features roughly thirty minutes of guided listening, framed by contextual background on the composers, poets and musical material, with opportunities for questions and group discussion. Participants are welcome to drop in to individual sessions as desired, or join for the full series.
Beethoven – Mass in C
Britten – Rejoice in the Lamb
Nashoba Valley Chorale 50th Anniversary Concert
Anne Watson Born - director
Fri Dec 19 7PM
Sat Dec 20 5PM
Sun Dec 21 5PM
Step back in time and experience the magic of the season with an unforgettable evening in the historic Press Room at the Omni Parker House, where Charles Dickens himself once stayed and rehearsed A Christmas Carol. Join us for an elaborate reading of this timeless classic, performed by veteran actor Johnny Kinsman, whose captivating storytelling brings Ebenezer Scrooge’s journey to life.
Enriched by a luminous musical soundscape, created by soprano Ann Moss and multi-instrumentalist Justin Ouellet, the evening includes a $10 voucher towards a festive beer or wine at the "Bah Humbug Bar" (set up just outside the Press Room), and opening remarks by Parker House historian Susan Wilson, who will share the fascinating connection between Dickens and the hotel.
Don’t miss this unique blend of history, music, and theatrical tradition in the very place where Dickens first gave voice to his beloved tale. A truly magical holiday experience awaits!
Appropriate for Ages 6+
Puccini – Arias from La Boheme
Vivaldi – Laudamus Te from Gloria
Ravel – Mother Goose Suite
Delius – Winter Night Sleigh Ride
Ann Moss & Katie O’Reilly – Sopranos
Carlisle Chamber Orchestra
Alan Yost - conductor
Step back in time and experience the magic of the season with an unforgettable evening at historic Gore Place. Join us for an elaborate reading of this timeless classic, performed by veteran actor Johnny Kinsman, whose captivating storytelling brings Ebenezer Scrooge’s journey to life.
Enriched by a luminous musical soundscape, created by soprano Ann Moss and multi-instrumentalist Justin Ouellet, the evening includes hot cocoa and cookies at the "Bah Humbug Bar" (set up just outside the performance space), and opening remarks by Parker House historian Susan Wilson, who will share the fascinating connection between Dickens and the Boston area.
Don’t miss this unique blend of history, music, and theatrical tradition in the unique setting of Gore Place. A truly magical holiday experience awaits!
Appropriate for Ages 6+
This holiday season, immerse yourself in the enchanting world of Charles Dickens’s beloved tale, “A Christmas Carol.” With its rich history and classic charm, this timeless production promises to kindle the festive spirit and touch your heart with its powerful message of redemption and goodwill.
Veteran actor Johnny Kinsman will perform an elaborate reading of Dickens’s cherished story featuring the miserly Ebenezer Scrooge, his spirited encounters with the Ghosts of Christmas Past, Present, and Yet to Come, and the heartwarming transformation that follows. The story will come alive with the musical talents of violinist Justin Ouellet and soprano Ann Moss to enhance the magical experience.
Bring your loved ones to share in the joy and wonder of a Dickens Christmas, and enjoy a heartwarming evening that will become a cherished holiday tradition.
(Recommended for ages 6+)
Bartók’s Folksong Arrangements in Critical Edition
A Colloquium by the Harvard Milman Parry Collection of Oral Literature, The Department of Music, and The Committee in Degrees in Folklore and Mythology
Vera Lampert and Viola Biró of the Budapest Bartók Archives introduce their work as editors of the recent volume 10, Folk Song Arrangements, from the Béla Bartók Complete Critical Edition (Henle Verlag, Munich, and Editio Musica Budapest). Performances by vocalist Ann Moss and composer-pianist Ketty Nez.
Bartók’s Folksong Arrangements in Critical Edition
A Colloquium by the Boston University College of Fine Arts Departments of Musicology and Ethnomusicology
Vera Lampert and Viola Biró of the Budapest Bartók Archives introduce their work as editors of the recent volume 10, Folk Song Arrangements, from the Béla Bartók Complete Critical Edition (Henle Verlag, Munich, and Editio Musica Budapest). Performances by vocalist Ann Moss and composer-pianist Ketty Nez.
Virtual Art Song Course:
“Evolution of German Art Song”
In this series of six virtual classes we’ll trace the evolution of Lieder (the German word for songs) starting with early examples from the 18th century, proceeding through the genre’s 19th century heyday, and continuing into the mid-20th century.
Designed to be relaxing, inspiring, and mentally stimulating, classes comprise a mix of lecture and guided listening — think live, music-appreciation podcast — with slides displaying lecture notes, German-language poetry, English translations, and artworks dating from the same eras as the music we listen to.
Classes meet on Tuesdays from 11am-12pm EDT (Oct 14, 21, 28; Nov 4, 11, 18)
*OFFERED IN REAL-TIME & ASYNCHRONOUSLY
Participants are welcome to attend Zoom meetings in real-time and/or stream class videos at their own leisure.
Feeling comfortable in a choral ensemble is not something that happens overnight, and can feel like a lot to figure out on your own! This 8-week workshop introduces novice choral singers to the skills they will need to feel ready for their choir experience. Under the direction of voice faculty Ann Moss, you’ll learn the nuances of singing together, blending voices, matching harmonies, score reading, and more. Much of the class time will be spent singing, using a wide variety of repertoire including choral hymns, pop/folk song arrangements, and the Great American Songbook.
Classes meet on Wednesdays from 12-1pm (Oct 1, 8, 15, 22, 29; Nov 5, 12, 19)
Step back in time with burial ground expert and author John Hanson as he explores the history of epitaphs from Abbott Street and Central Cemeteries in this captivating multimedia presentation. Featuring projected images and live vocal performances, this event brings the stories of Beverly’s past to life.
Discover fascinating stories of the past as you “virtually wander” through the headstones, hear the hymns inscribed upon them, and learn how they convey highly personal messages left by those who came before us. This in-person event is a unique opportunity to connect with the history of Beverly and gain a deeper appreciation for its past.
Ann Moss, soprano
Hillary Nordwell, piano
This afternoon program of German and American Art Song celebrates love, nature, and motherhood in its many incarnations. Music by Mozart, Schubert, Robert and Clara Schumann, Copland, Aghababian, Bachmann, Hoiby and Heggie illuminate the words of beloved poets including Goethe, Heine, Eichendorff, Emily Dickinson, Gene Scheer and more.
PROGRAM
MOZART Lieder
SCHUBERT Lieder
R. SCHUMANN Lieder
C. SCHUMANN Lieder
AARON COPLAND: Nature the gentlest mother
VARTAN AGHABABIAN: Yellow, Spring Morning
NANCY BACHMANN: Hymn for St. Brigid’s Day, The Delight of Tiny Things, Comfort
JAKE HEGGIE: A Lucky Child
LEE HOIBY: The Serpent
ten different sunrises
the beauty of partial truths and the richness of perspectives
music flows continuously, anchored by a recurring motif: Daybreak
PROGRAM INCLUDES:
Hildegard von Bingen — O Frondens Virga
Matthew Cmiel — Illusions I Recall (world premiere)
Kate Soper — Epithets (west coast premiere)
Laurie Anderson — Pieces and Parts
FREE ADMISSION
ten different sunrises
the beauty of partial truths and the richness of perspectives
music flows continuously, anchored by a recurring motif: Daybreak
PROGRAM INCLUDES:
Hildegard von Bingen — O Frondens Virga
Matthew Cmiel — Illusions I Recall (world premiere)
Kate Soper — Epithets (west coast premiere)
Laurie Anderson — Pieces and Parts
FREE ADMISSION
PROGRAM INCLUDES
Rameau — Le Rappel des Oiseaux, Cantate pour le jour de la Saint Louis
Couperin — Troisième Leçon de Ténèbres
J. S. Bach — Selections from BWV 51 and BWV 202
Handel — Amor gioie mi porge
FEATURING
Katherine Heater, harpsichord
Farley Pearce, viola da gamba
Vicki Melin, flute
FREE ADMISSION
The focus of this vocal workshop—spanning two weekends—is to explore the joy of singing the vast and diverse canon of beautiful masterpieces written for all voice types and genres, ranging from early music to contemporary pieces. Activities include daily breath clinics, ear training, and sight-reading sessions. Dedicated independent rehearsal time is provided for participants, who will have access to Crowden’s state-of-the-art studio facilities. Participants will have the opportunity to coach early music vocal chamber repertoire with esteemed early music specialists: keyboardist Katherine Heater and gamba player Farley Pearce. German Lieder will be coached by distinguished collaborative artist Miles Graber and vocal faculty soprano Ann Moss. Vocal coaching and private lessons will be assigned with workshop director, soprano Vanessa Langer. The workshop culminates in an informal concert on its final day, where participants showcase their progress for family and friends.
July 19 to 20 and July 26 to 29
9am - 5pm
Wednesday, July 30 Dress Rehearsal at 5:30pm & Concert at 7pm
In this fun and creative workshop for young composers of all levels, students will compose a suite of miniatures for voice and piano. Director Matthew Cmiel, along with accomplished faculty and guest artists, will provide guidance and feedback as participants refine their work. The camp culminates in a public performance of student works by professional musicians. Daily activities include classes on composing songs and writing for the voice, a hands-on guide to the creative process—where students develop works together in small groups and individually within a single day, an afternoon class where students comment on, work with, and study each others’ music and get feedback from guest artist-performers, private lessons with one of our instructors, and a class to help students craft their own text for lyrics. Come create something! Beginners welcome.
July 14 to 24
Monday through Thursday, 9:30am to 3pm
Performance/demonstration July 24 at 5pm
This fun and supportive class for adult singers, led by Scott Murphy, explores musical theater history and performance through the lens of Stephen Sondheim’s lyrical and conversational songs. Voice Faculty member Ann Moss offers individual and ensemble vocal coaching for participants at each evening session, leading up to the final performance. Participants will do research on the history of their song to share with the group and will end the class with an evening performance for family and friends!
Evening sessions (6-8:30pm) take place on June 23, 24, 25, 26 & 27
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This series of interactive seminars is designed to familiarize participants with the genre of Art Song by highlighting beloved poets such as Blake, Hughes, Verlaine, Dickinson, Goethe, Millay and more – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss leads participants on a listening journey that explores the beautiful marriage of language and melody.
Each meeting features roughly thirty minutes of guided listening, framed by contextual background on the composers, poets and musical material, with opportunities for questions and group discussion. Participants are welcome to drop in to individual sessions as desired, or join for the full series.
Ann Moss — vocals
Justin Ouellet — violin, viola, guitar
Mystics and Visionaries brings together works by composers and songwriters spanning ten centuries — artists who used the medium of music to broadcast bold new ideas into the world that inspired them, and in doing so, transmuted the very medium in which they worked. Husband-wife team Ann Moss and Justin Ouellet create living, breathing arrangements that offer a modern perspective on sounds and stories from our collective past. Mystics and Visionaries celebrates artists across the ages who inspire us to examine in new ways the enduring elements of our ancient world.
This program was originally designed for the Farnsworth Museum’s 2024 Momentum exhibition series and was crafted in response to paintings by Maine-based artist Emilie Stark-Menneg.
Ned Spofford (William Hite) with Newton Arvin (Keith Phares) in a scene from The Scarlet Professor
Composer Eric Sawyer and librettist Harley Erdman present a concert at Historic Northampton’s recently restored Shepherd Barn. The program, performed on two evenings in early June, will showcase arias, ensembles and choral selections from their two operas: The Garden of Martyrs and The Scarlet Professor.
William Hite, tenor
Ann Moss, soprano
Keith Phares, baritone
Alan Schneider, tenor
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This series of interactive seminars is designed to familiarize participants with the genre of Art Song by highlighting beloved poets such as Blake, Hughes, Verlaine, Dickinson, Goethe, Millay and more – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss leads participants on a listening journey that explores the beautiful marriage of language and melody.
Each meeting features roughly thirty minutes of guided listening, framed by contextual background on the composers, poets and musical material, with opportunities for questions and group discussion. Participants are welcome to drop in to individual sessions as desired, or join for the full series.
PROGRAM
SCHUBERT:
Lachen und Weinen
An die Musik
Ganymed
Der Hirt auf fem Felsen
featuring Eliza Siracusan, clarinet
R. SCHUMANN:
Der Nussbaum
Jasminenstrauch
Wehmut
Frühlingsnacht
Vogel als Prophet
AARON COPLAND: Nature the gentlest mother
VARTAN AGHABABIAN: The Offering
AGHABABIAN: Spring Morning
NANCY BACHMANN: Hymn for St. Brigid’s Day
BACHMANN: The Delight of Tiny Things
BACHMANN: Comfort
JAKE HEGGIE: A Lucky Child
LEE HOIBY: The Serpent
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This series of interactive seminars is designed to familiarize participants with the genre of Art Song by highlighting beloved poets such as Blake, Hughes, Verlaine, Dickinson, Goethe, Millay and more – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss leads participants on a listening journey that explores the beautiful marriage of language and melody.
Each meeting features roughly thirty minutes of guided listening, framed by contextual background on the composers, poets and musical material, with opportunities for questions and group discussion. Participants are welcome to drop in to individual sessions as desired, or join for the full series.
Art Song is a genre of Western classical chamber music that fuses poetry and music, typically composed for the duo of voice and piano. This afternoon program of Art Songs in German, French and English spotlights the words of three beloved poets – Johann Wolfgang von Goethe, Paul Verlaine, and Massachusetts's own Emily Dickinson – writers whose imagery and insights have inspired composers past and present to set their words to music. Soprano and Teaching Artist Ann Moss is joined by Collaborative Pianist Marie-Elise Boyer to lead the audience on a listening journey that explores the beautiful marriage of language and melody.
A free noon-hour concert featuring members of the Voice Faculty at Groton Hill Music Center. Genres and styles range from classical to musical theater to soul.
“Meet new people, join a growing community, and experience the transformative power of music in a world-class concert hall! Groton Hill’s mission is to educate and inspire, but also to share. By offering free daytime performances, we’re working to increase access for our neighbors, community members, and partners.”
